This week’s entries are pure visual magic — like spotting Nessie sipping a latte by Loch Ness. Some photographers clearly arrived in the world with a camera in hand, while the rest of us are still trying to figure out if the tripod is a fancy walking stick. Honestly, after seeing these shots, I half expected the photos to start chatting back — or ask for a dram of whisky to properly celebrate their own brilliance.
Big cheers to last week’s winners: Zara Hamilton, Iris Walker, and Hunter Turner — who now stride boldly into December’s final like they’ve already bagged the last mince pie at the party. And a tip of the hat to the wildcards — sometimes it’s the sneaky little surprises that steal the show.
Now, onto this week’s entries! Dylan Heron’s Electric Dreams throws you headfirst into a fairground of colour and chaos — flashing reds, yellows, and blues swirling like the dodgems have gone rogue. Erin James’ Mystique in Black captures a black cat with yellow eyes so intense it could probably see straight through your soul, or at least figure out why you haven’t fed it yet.
Hamish Scott’s Midnight Racer zooms a toy car down a neon-lit street with such cinematic flair that I almost wanted to jump in and race it — though I’d probably lose to number 39, fair and square. Sean McCredie’s The Fisherman’s Focus takes us lakeside, where a fisherman grips his rod like it’s a sword, proving that patience and stillness can be proper art. Miller Hyslop’s Colours of Farewell walks the sunset path with quiet reflection, showing that endings can be as beautiful as a soft Highland breeze at dusk.
Zara Hamilton’s Nature’s Jewels turns water droplets into a sparkling mosaic of golds and greens — nature showing off like it’s auditioning for a jewellery advert. And Jack Howie’s The Dairy Duo gives two cows enough personality and tongue-wagging sass to make you wonder if they’re plotting a heist on the farmer’s hay stash.
From neon-drenched fairgrounds to regal cats, lakeside zen, and two cows with more personality than most folk I know, this week’s entries serve up a proper feast of skill, mischief, and pure delight. Honestly, I’m not sure who’s enjoying it more — the photographers, the animals, or me, sitting here with my jaw on the floor. And don’t worry — no midges were harmed, though a couple of those cows are probably updating their LinkedIn profiles as “freelance models.”
And mark your calendars, folks! Next time we visit Photographer of the Week, it’s our world-famous Halloween special. Expect ghouls, ghosts, and maybe a camera joke or two — after all, why did the ghost bring a camera to the haunted house? To capture some spirit! Woooooo!
Don’t forget to cast your vote for this week’s winner!
Photographer of the Week is open to all students, so please send your images to Ross James at gw19jamesross@glow.sch.uk. Alternatively, visit our wider achievement page to upload your successes. If you have a photograph you’re proud of, we want to see it!
This Weeks Entries

Warrior of the Shadows by Aiden Kyle
In Warrior of the Shadows, Aiden Kyle serves up a pure belter — a brooding hero front and centre, dripping in gold-trimmed armour so flashy it’d make a magpie swoon. Cloaked in moody reds and blacks, he glares into the distance like he’s just found out the chippy’s shut early. Kyle’s soft-focus background and dappled sunlight make the scene feel dramatic and mysterious, as this fierce guardian stands ready to face the darkness — or at least the midges.

Whispers of the Water by Murray Ferguson
In Whispers of the Water, Murray Ferguson captures pure peace — a lone duck drifting across water so still it could double as a mirror at Loch Lomond. The trees frame the scene like they’ve turned up just to watch the show, and the soft blues and dusky reflections make it feel calm enough to hush even the chatty folk at the loch. That wee duck steals the spotlight, gliding along like it’s got nowhere urgent to be — just living its best solitary life. It’s the kind of scene that makes you stop, breathe, and think, “Aye… nature’s no bad, eh?”

The Road Less Traveled by Cerys Logie
In The Road Less Traveled, Cerys Logie captures a winding road glowing under a sunset so stunning it could melt your tablet. The fiery sky bursts with oranges and pinks, framed by dark trees like nature showing off. Distant headlights hint at adventure ahead — a perfect invite to hit the road and see where it leads, hopefully somewhere with a good chippy.

The Stillness Within by Georgia Sutherland
In The Stillness Within, Georgia Sutherland captures a lone figure tucked among tangled branches, lost in quiet thought like they’ve just escaped the chaos of life — or a family WhatsApp chat. Soft light filters through the leaves, gently outlining the figure and adding a calm, dreamlike glow. The mix of light and shadow gives the scene real depth and peace, inviting you to pause, breathe, and find a wee moment of your own stillness — preferably somewhere the midges can’t find you.

Charming Feathers by Keara Bark
In Charming Feathers, Keara Bark captures a wee bird perched on a log, looking like it knows fine well it’s photogenic. Its soft browns and creams, topped with sharp white wing bars, stand out beautifully against the blurred background — pure feathered elegance. The warm light brings every tiny detail to life, making you want to stop and admire nature’s wee show-off.

Colours of Farewell by Miller Hyslop
In Colours of Farewell, Miller Hyslop captures a lone figure walking down a sunset path, surrounded by a sky ablaze with oranges, pinks, and purples — pure postcard perfection. The silhouette adds a touch of quiet reflection, like they’re off to ponder life or maybe just missed the last bus. The winding path and warm glow lead the eye to the horizon, capturing the calm beauty of endings — and the promise of whatever’s next, hopefully with fewer midges.

The Dairy Duo byJack Howie
In The Dairy Duo, Jack Howie captures two cows looking straight at the camera like they’re posing for their own farmyard Vogue cover. Their black and white markings pop brilliantly against the dark backdrop, and the one on the right steals the show by cheekily sticking its tongue out — proper personality, that yin. The rough stone trough and soft light add a lovely rustic touch, making the whole scene feel warm, funny, and full of country charm.

The Fisherman's Focus by Sean Mccredie
In The Fisherman’s Focus, Sean McCredie captures a quiet, peaceful moment on the water, with a fisherman poised and ready, rod in hand, like he’s in full-on “don’t bother me, I’m serious” mode. The lake mirrors the greenery around it, adding to the calm, while the soft, overcast sky keeps things gentle and soothing. The close-up of his hand gripping the rod shows pure concentration, turning fishing into a proper meditative art.

Electric Dreams by Dylan Heron
In Electric Dreams, Dylan Heron serves up a riot of colour and motion that’s pure fairground chaos — think spinning rides, flashing lights, and all the excitement crammed into one canvas. Reds, yellows, and blues swirl together, blurred and buzzing, pulling your eye all over the place like you’re on the dodgems yourself. It’s bright, loud, and exhilarating, capturing the sheer joy and thrill of carnival life in one electrifying, chaotic feast for the eyes.

A Cat's Reflection by Francis Lawton
In A Cat’s Reflection, Francis Lawton captures a cat in all its serene glory, green eyes staring out like it’s secretly judging you. The soft fur and gentle light show off every whisker and texture, giving the whole thing a calm, intimate feel. It’s a quiet, cosy moment that celebrates the charm, curiosity, and low-key mischief of our feline friends — a proper tribute to the sneaky little rulers of the household.

Electric Skies by Taylan Aston
In Electric Skies, Taylan Aston plunges us straight into a proper storm, lightning slicing through dark clouds like nature’s own fireworks display. Seen from the cockpit, with controls in view, it’s as if you’re right there, heart racing, gripping the yoke as the sky throws a tantrum. The flashes against the grey clouds make for a thrilling, almost cinematic scene, capturing both the raw power of the storm and the sheer exhilaration of flying through it — awe-inspiring stuff, if you don’t mind your tea getting cold.

Midnight Racer by Hamish Scott
In Midnight Racer, Hamish Scott turns a wee toy car into the star of a nighttime adventure, zooming past green traffic lights on a blurred city street. The number “39” gleams as streetlights cast a soft, cinematic glow, making the scene feel both playful and dreamlike. With the background fading into a gentle blur, it’s a charming nod to childhood imagination, racing thrills, and the simple joy of pretending the night is yours.

Nature's Jewels by Zara Hamilton
In Nature’s Jewels, Zara Hamilton turns tiny water droplets into a sparkling spectacle, each one catching the light like a wee gem. Set against warm yellows and greens, the droplets create a miniature mosaic that’s both mesmerizing and oddly soothing. It’s a lovely reminder that nature’s artistry doesn’t need to be grand — sometimes the smallest details are the most dazzling.

Mystique in Black by Erin James
In Mystique in Black, Erin James captures a sleek black cat with piercing yellow eyes that could practically hypnotise you. The lighting picks out every shiny strand of fur and sharp feature, while the soft-focus background keeps all attention on its intense, mysterious stare. Dramatic, elegant, and a wee bit spooky, it’s a striking portrait that shows just how captivating a feline can be.
Vote for your Favourites
Voting Ends 31/10/25 15:20 pm
Last Weeks Winners

Sky Trails
by Zara Hamilton

Wild Gracer
by Hunter Turner

A Musical Connection
by Iris Walker
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